Special effects : samo wong designer : lele cheung artist : christy ng stylist : sim yau : james mak boy : gin chan & artist manager : nicholas cheung & lyrics : gareth.t : gareth.tĪrranger : gareth. hmmm.i guess even she don't think i'm boyfriend material (・〜・)ĭirector of photography : mario chui nicholas ko : samo wong : hanley chu designer : lele cheung, samo wong : edmond yu art director : lele cheung production assistant : sam leung, piynustmal but even she, who even though is way shorter than me, kept saying that it'd be ideal if i was a lil taller. fortunately i met my gf not that long ago. i wrote this song after a few failed attempts at finding love. for one, i'm short and for two, i have subpar fashion sense, so my options are limited. To be honest, dating has always been a struggle for me. Music 02:53 gareth.t - boyfriend material Series Creators: Bob Boilen, Stephen Thompson Tiny Desk Team: Ashley Pointer, Hazel Cills Videographers: Kara Frame, Maia Stern, Joshua Bryant, Alanté Serene That exploration and experimentation perfectly capture the essence of the show. Toward the end of "The High," she sings through it to alter her voice. The singer found a thunder tube in our percussion section and tinkered with it during soundcheck. "Enough" and "Take Me Apart" are almost unrecognizable, recast to allow Kelela's vocals to sit gently within the harp and keys. The song is an effervescent drum and bass-inspired cut with a video that finds Toro Y Moi in deep. The setlist seamlessly showcases most parts of her catalog with a couple of brand new arrangements. Flume is back Wednesday (March 11) with The Difference, a collaboration with Toro Y Moi. She let the music do most of the speaking but not before shouting out Washington, D.C., where she was born. This Tiny Desk was a homecoming for Kelela. A legal separation is a legally defined status that requires formal paperwork and legal intervention. When an artist presents us with a distinctive, creative vision for their performance, the fun part is collaborating to execute that idea. Pianist Briley Harris was barricaded by the keys, and background vocalists Brittney Mills and Alayna Rodgers were nestled next to Ahya Simone's big beautiful harp. While there weren't many bodies behind the Desk, the instruments left little room for movement. She also presented us with a challenge or two as well. She swapped key pieces from her recordings (hard drums and effects) for a harp and piano. Kelela took her opportunity at the Tiny Desk to create something new.
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